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Showing posts with label Jesse. Show all posts
Showing posts with label Jesse. Show all posts

Saturday, September 29, 2012

Celeste And Jesse Forever

Can Rashida Jones and Andy Samberg become Hollywood?s next power couple? Tom Cruise and Katie Holmes recently split. There?s has to be a void somewhere that needs filling. Better yet, they could replace Brad and Angelina atop the industry?s social hierarchy. We could call them Sam-Jo, or possibly Jo-Berg.

There?ll be time for cutesy nicknames later. For now, let?s just bask in the sarcastic chemistry and tender, emotional concern generated by these sensitively funny comedians in Lee Toland Krieger?s Celeste & Jessie Forever, an unconventional break-up comedy that ? despite its novel premise ? still stumbles into a few too many rom-com ruts.

Jones co-wrote Forever with her close friend Will McCormack, allegedly basing it loosely on their own short-lived romantic experiment. Their experience bleeds through the narrative, juicing scenes with a welcome authenticity as they present a relationship rarely seen on screen.

Celeste and Jesse are caricatures of the relationship formula, and we don?t so much root for their reunion (or realization that it won?t work) so much as we watch them go through predestined motions. Celeste & Jesse often plays as a spewing therapy session where everyone?s given a chance to weigh in on the main couple?s flawed existence ? from Celeste?s gay co-worker (Elijah Wood) to Jesse?s pot-slinging confidante (McCormack). But the movie finds multiple ways to introduce necessary flavor.

There?s an earthy, New-Age, Southern California vibe to the screenplay?s dialogue, which is introspective about the state of its relationships but purposefully superficial ? as if it?s afraid to fully commit. Forever embraces the awkwardness that accompanies various stages of new (and old) relationships. When it accurately portrays the pain of the contemporary dating scene, you completely understand why Celeste and Jesse prefer to linger in the protective bubble of a semi-working relationship. We know Samberg and Jones can be funny, so they don?t try as hard to get the laugh here. Instead, they probe beyond the obvious joke to paint a well-rounded portrait of a difficult relationship. Jones, specifically, is more mature and strong than we?ve seen her be before. And Krieger has a terrific ear for the right pop-alt song to go with his various scenes.

Moments of beauty often elevate Celeste & Jesse above the litany of forgettable rom-coms that reach theaters on an annual basis. But the indie-sensible Sundance hit doesn?t reach for the sky with its revelations, preferring to zero in on the small but relatable problems of two familiar individuals. Its impact might not stay with us forever, but you?ll appreciate what Forever shares about its characters, and about us.


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Friday, December 9, 2011

EXCLUSIVE: Jesse Peretz Talks Our Idiot Brother Blu-ray

Nov 28, 2011 by B. Alan Orange
Jesse Peretz Talks Our Idiot Brother Blu-ray

Paul Rudd stars in the charming hit comedy Our Idiot Brother, which finds one wayward drifter disrupting the lives of his three sisters (Elizabeth Banks, Zooey Deschanel, Emily Mortimer) after a stint in jail.

We recently caught up with director Jesse Peretz to celebrate the film's release on Blu-ray and DVD this Tuesday, November 29th.

Here is our conversation.

Talking to Paul Rudd, he explained that there were a couple of different dogs playing Willie Nelson. Also, it was pretty hot during the shoot, so you didn't always get the performance you were looking for out of them...

Jesse Peretz: At the end of he day, it's hard to get an animal to do what you want it to do. If you talk to people who work on sets, who work with animals, there is always that depressing reality about how much trial and error there is. How much edit room, and how many hijinks during the takes there are, that you have to cut together to get the emotional trajectory of this animal. Its always frustrating, hard work to make that happen.

It had to be frustrating when you learned that there would be more than one dog playing Willie Nelson...

Jesse Peretz: There was really just one dog...for most of it. I don't like to dwell on it. The dog does figure as a prominent character and its nothing I am particularly psyched for audiences to be thinking about, "Oh, there are three different dogs playing Willie Nelson."

I have a dog that looks a lot like Willie Nelson. I'm interested in that aspect of the film. Because at the end of the day, the dog is, probably, the key relationship in the film. That's the love story in this particular romantic comedy...

Jesse Peretz: I grew up with a Golden Retriever. That is part of the reason we ended up with a dog that looked like Willie Nelson.

Speaking of looks, I love Rashida Jones in the movie, and her style is very hip and fresh. How did you hit upon her particular look for Cindy?

Jesse Peretz: Interestingly enough, Cindy's look was based on one of my good friends, who is actually...She is less than five feet tall, Chinese, and super butch...A chain wallet, I don't know...I had this really firm idea in my head about who this character was going to be. For me, with Rashida Jones, it took a leap. I am such a huge fan. I love Parks and Recreation. And we've known each other for a long time. But I remember when my casing director came up to me, and she said, "What about Rashida Jones to play Cindy?" My initial response was, "No way! She is one of the most beautiful women I know. How could she play such a butch character?" But then, I thought about it more. I knew she'd find another version of this character. Rashida fundamentally has that toughness to her. This super decisiveness. I let go of this idea that I had, and I talked to Rashida about how she interpreted the character. I ended up so-loving the way she played Cindy. Obviously, the style is a little different than what I had in my head. She and my costume designer really nailed a specific look for her. It helped to push the idea that she wasn't playing a caricature. She really carved out her own character.

My favorite part of the movie is when Cindy and Ned go to free the dog. The chemistry between Paul Rudd and Rashida Jones is just so inviting and, for lack of a better word, kind of magical. I wanted to see more of them together. Do we get to see more between them on the deleted scenes?

Jesse Peretz: I wish! We set out to make an ensemble movie. Which is always this frustrating thing. You fall in love with your characters, and you want to see more of them. Certainly, in our early drafts, there were a hundred and forty pages, so there was more of them together. But the nature of having an ensemble movie is really about being economical with each of the characters. They have to handle the various storylines in such a way, so that the movie doesn't end up becoming this long, winding thing. I wish there were more scenes between the two of them. But there really aren't. I did love the chemistry that the two of them had. Its funny, too, thinking about the fact that they so famously played fiancés in I Love You, Man. And how different these two relationships are, which they are playing within just a few years of each other. Both of their characters, and their relationship, are just so different.

Its interesting that you bring up that movie, though. When I watched them here, they're union as a couple in I Love You, Man was so far from my mind. It's night and day. Most of this cast has worked together, quite a bit, in the past. How valuable was that for you, as a director, to have that preexisting friendship and camaraderie already established on set?

Jesse Peretz: It was one of the reasons this movie happened. I was friends with a lot of these cast members. Paul Rudd and I go so far back. We were always such good friends. Then, whichever actors had never worked with Paul...He is such an actor that other actors enjoy, and want to work with. Just as a starting point, that is what caused the movie to be able to happen in the first place. Once we all got on set, it was...Just day after day...Such a joy to get this opportunity to play, and hang out, and try to get each other to laugh. The actors had so much respect for each other. They enjoyed making each other laugh more than anything. It went beyond just thinking about making a movie. It was also about being in a situation where they could play with each other and make each other happy.

I don't know how much input you have on the special features section of the home video release, but when you have that type of environment on set, how come we don't see bloopers or outtakes on the Blu-ray?

Jesse Peretz: I don't know. There are deleted scenes, aren't there?

Yeah. A couple. But why isn't there more behind the scenes footage of this cast goofing around, making each other laugh?

Jesse Peretz: I didn't get that much input on the nitty-gritty of the DVD release. I knew what the deleted scenes were going to be. We did throw some bloopers onto the end credits, there, so you do get a sense of it. Its there.

I totally forgot about that. Now, when I saw this in theaters, Katy Aselton got quite a few cheers when she came on at the end. Why did you see her as the perfect female doppelganger, or match, for Paul Rudd and his character?

Jesse Peretz: From the things that I have seen her in, she just seemed like someone that could play that character. She seemed like she could thread that needle of being someone who an audience would feel...Someone the audience could project on, "Oh, my God! She is beautiful, she is open...I want him to be with her!" At the same time, she could project that she was open, and crunchy, but without seeming, in any way, like his ex-girlfriend. I don't know...I think Katie Aselton is really funny, she's a great actress, and I feel that she has that...In my mind...70s, All-American quality to her. Which is what Ned is a little bit of a throwback to. That post-50s way of thinking...

Now, I'm not sure if this has become a topic in Hollywood. But I am noticing it more in both film and television lately. Characters, like Ned, seem to only have a few select pieces of clothing. They repeat wear shirts and other items. They don't have a whole new wardrobe from scene to scene, which plays realistically to an audience, especially in this current economic climate...

Jesse Peretz: I do totally agree with you. But, ultimately, what it comes down to is...People are hardwired. They break down a script. And you have screen days. Someone tries to figure out how many different days are accounted for in the script. They don't need to be consecutive. So, a movie might have thirty-four screen days. The way costumers were taught to do costumes is that there is a different wardrobe for each of the screen days. Then there is a decision made, in this case, and I can only speak for us...We really made a decision with Paul Rudd...His character would only have this knapsack. It would be unrealistic for him to have a different change of clothes every day. On the other hand, with Rashida Jones, our costumer got so into painting a picture of who Cindy was...With her sense of style...Even though she is playing a more butch male type of character, we still didn't do repeat costumes with her, because we didn't have enough film days for her character, to use all the awesome stuff that we were psyched to have. I'm not sure if that answers your question. But...

Our Idiot Brother makes its Blu-ray and DVD debut Tuesday, November 29th.

Our Idiot Brother was released August 26th, 2011 and stars Paul Rudd, Nick Sullivan, Francesca Papalia, Bob Stephenson, Elizabeth Banks, Peter Hermann, Adam Scott, Kelly Briter. The film is directed by Jesse Peretz.


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Tuesday, December 6, 2011

Jesse Eisenberg Sues Lionsgate Over Camp Hell

Nov 30, 2011 by B. Alan Orange
Jesse Eisenberg sues Lionsgate over their use of his image on the Camp Hell DVD Jesse Eisenberg sues Lionsgate over their use of his image on the Camp Hell DVDHow bad could the horror movie Camp Hell be? Well, actor Jesse Eisenberg is suing Lionsgate Entertainment over the movie, so it must not be too terrific.

The actor is seeking $3 million in damages, accusing the studio of capitalizing on his name to sell DVD copies of this critically panned supernatural thriller, which finds a group of children becoming possessed at a local community camp. The DVD cover offers a prominent image of Jesse Eisenberg, with only his name above the title, selling the film as a starring vehicle for the Oscar nominated actor.

Jesse Eisenberg only has a cameo in Camp Hell, clocking less than five minutes of screen time. And he was only paid $3000, which is considerably less than what he usually receives for his acting services. Because of this, Jesse Eisenberg has cited alleged misappropriation of right of publicity and unfair business practices.

The actor states that he has sued Lionsgate to "warn his fans and the public that, contrary to [the film's advertising], he is not the star of and does not appear in a prominent role in Camp Hell."

The Camp Hell DVD debuted this past August. If you're interested, you can purchase it direct from us: Click Here!

Camp Hell was released August 13th, 2010 and stars Dana Delany, Andrew McCarthy, Caroline London, Will Denton, Bruce Davison, Juliana Monin, Jesse Eisenberg, Connor Paolo. The film is directed by George VanBuskirk.


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