The Shift (5.0 Stars)

Friday, 19 March 2015

I was fortunate to see this movie with a friend who invited me to tag along. My mother has been a hospital nurse her whole life, so I really got into it.

It was also great that there wasn't any profanity or nudity in it. This is a movie that all ages can see without skriming in their chairs from the bad language. The little girl who was dying was great as well as some of the other patients like the big man dying of heart attack and the homeless bum yelling at the desk nurse.

Yes, I give it two thums up. My only critical point would be that it was not long enough. If it was longer, it could have been in the movie theaters.

I would like to have seen what happened to the head male nurse who was arrested in the end. He was really the best in the whole movie.

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Seed (0.5 Stars)

Why dose Uwe Boll keep making movies? seriously they terrible and Seed isn't anything different from his other work that's covered in horse sh't.

The story to Seed is about a mass murderer, is sentenced to death and electrocuted three times on the electric chair. Finally, they declare the still breathing man dead and bury him alive. After he bites and claws his way to the surface he takes revenge on those who wronged him.

I hate Uwe Boll, he's like the Hitler of cinema. To those who don't know, Uwe in real life sounds like a big A-hole and that's coming from the people who worked with him and how horrible and rude he was. So him and his movies are both very sh't.

I would compare Seed to the god awful that was The Human Centipede 2, both films are mindless gore that leads to nowhere and the pure ugliness that is both films.

Proof that Uwe Boll is a total dick: www.youtube.com/watch?v=FPgkwRvC1ZM

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Kingsman: The Secret Service (4.0 Stars)

Hello and welcome to Short Paragraph Review #3 (SPR for short!). Today, I look at Kingsmen: The Secret Service!

Ready. Set. GO!!

Kingsman is absolutely fun. Based on the comic by Mark Millar and directed by Matthew Vaughn (kick-Ass), Kingsmen has the same over the top vibe like Kick-Ass but with secret agents instead of wanna be superheroes and it works really good with the film making fun of the spy genre while also paying tribute to the old spy films including James Bond with a fun twist on the whole "Bond gets the girl" moment that was hilarious. The action is great with Matthew's direction going nuts on guns and knives all over the set-pieces with Gazelle, the chick with the shoe blades, being a huge show-stealer alongside with Samuel Jackson and Colin Firth on delivering some very badass moments including the scene where Colin Firth beats the sh*t out of religious fanatics, which it gave me a huge "F*CK YEAH" moment in the theater. There are a few problems like the pacing being a bit sluggish and the story being completely predictable with an obvious third climax but the manic fun, crazy action, wonderful performances and just the sheer great surprise moments all make up for it. Kingsman is a "Kick-Ass" experience (no pun intended) and I recommend this to anyone for a mood on action comedy films until the big boys come out.

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Life According to Sam (4.5 Stars)

What a remarkable boy that Sam Berns was.

Life According to Sam tells the story about Sam Berns when he had progeria, a progressive aging disorder so rare that fewer than 250 children in the world had it at the time. Little was known about the disease, and all children with progeria died of heart attack or stroke at an average age of 13. Told there was no treatment or cure, they refused to accept that as the final verdict.

Now normally I'm not such a big fan of doc*mentary's but a couple of times I will find a interesting and enjoyable one time to time, but I don't really watch that much Doc*mentary's. But what really got me interested in Life According to Sam is the fact when Sam Berns sadly passed away in January 2014 and I heard nothing but great and inspiring things from this kid and a Doc*mentary about him made me inserted to know more from Sam and boy dose this Doc*mentary do it well.

I won't lie but this movie or Doc*mentary if you like to call almost brought me into little tears, yeah I know it's not very manly to admit cracking up in a couple of scenes but since I've always got to be honest when it comes to movie I won't lie that this only most brought me into tears.

Sean Fine and Andrea Nix did a excellent job directing this Doc*mentary with much care and effort that made this more effective to me.

For problems I didn't really have any to be honest. And the reason why I'm not going to give it 5/5 start's is because it's great but not on the level of oh my god this is amazing 5/5 star's, but it's still good without a doubt and if you had the chance to watch this then go ahead it may not be a easy watch sometimes but it's still worth checking.

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Jersey Boys

So you?re thinking about looking at Clint Eastwood?s adaptation of Jersey Boys. And why wouldn?t you? The smash-hit musical is a Broadway staple since 2005, touring theaters from London to Vegas and declaring four Tony Honours ? including Best Musical ? in the year 2006. Curiosity about Jersey Boys, particularly in the theater crowd, ought to be high. Do that rather. Stay at home. Light a candle -- ideally a beige or dishwater-gray candle ? watching it gradually melt for many hrs. Play Frankie Valli and also the Four Seasons records without anyone's knowledge to create the atmosphere. This experience is going to be much more exciting than really battling with Eastwood?s disappointingly flavorless and lackluster on-screen Jersey Boys pass.

Not too Eastwood makes a poor film. Rarely, during the period of his 50-plus years within the director?s chair, has Eastwood shipped an undeniable explosive device. But he's designed a dull film, which betrays the doo-wop powers and disgruntled behind-the-moments dramas that assisted make Jersey Boys this type of beloved story for numerous theater audiences.

The Jersey Boys, under consideration, would be the people from the Four Seasons, whom Eastwood recreates using motion picture beginners: lead singer Frankie Valli (John Lloyd Youthful) troubled guitarist Tommy DeVito (Vincent Piazza) reliable singer and bass player Nick Massi (Michael Lomenda) and gifted songwriter and pianist Bob Gaudio (Erich Bergen), whose late addition demonstrated is the final piece towards the group?s effective puzzle. The 4 Seasons capped the charts within the sixties and ?70s with ear-catching tunes like ?Sherry,? ?Big Women Don?t Cry? and ?Walk Just like a Guy.? Jersey Boys charts their childhood, their meteoric rise, and also the factors that introduced the majority of the people down again to Earth.

Getting seen both Broadway show which silver-screen adaptation, I have no idea who thought Eastwood was the best director to inform this story. Born and elevated in Northern California, Eastwood doesn't have natural link with the thick-as-thieves Garden Condition communities that birthed Frankie Valli. As a result, his requisite Nj flourishes come under the course of broad, regional stereotypes that went of favor once the Sopranos ended. (Things I wouldn?t share with see Marty Scorsese?s Jersey Boys.) As Eastwood also highlights inside a blink-and-you-skipped-it visual gag, the star already was busy together with his own acting career once the Four Seasons were making their mark ? even though he may have been keen on the 4 Seasons? tunes, he doesn?t spend enough time honoring the outcome of the music.

Casting John Lloyd Youthful makes complete sense in writing, because he required home the Tony Award for the best Leading Actor inside a Musical for enjoying Valli on stage in the year 2006. The brilliant singer hits all Valli?s impossible notes, but falters in more compact, dramatic moments as he needs to sell emotional moments with Valli?s wife, his daughter, or even the feuding people of his band. Because he does within the stage show, Tommy DeVito (and the various devils) becomes the focus of Jersey Boys, and Piazza has a reasonable edge to slice through Eastwood?s patented melodrama.

Are you aware how musicals usually sizzle and pop, though? Jersey Boys will not do. Never even tries to. Eastwood?s color scheme ? created with longtime cinematographer Tom Stern (Gran Torino, Billion Dollar Baby, Unforgiven) ? shows that usual, cleaned out look the director favors. Out of the box normally the situation within an Eastwood movie, moments linger on more than necessary. The direction is competent, but has so very little creativeness that whenever Eastwood finally tries something unusual ? a video camera shot that scales along side it of the skyscraper and provides us a look inside various audition rooms ? the irregularity briefly shook me from the mundane coma Jersey Boys had lulled me into.

Eastwood, above all else, isn?t thinking about remaking Jersey Boys, the musical. His film plays the storyline from the Four Seasons on an even more straight and literal line compared to stage show, and doesn?t build to theatrical transitions or show-preventing musical amounts. The only real time Jersey Boys resembles a motion picture that began in stage is ultimately credits, once the cast reunites on the seem-stagey neighborhood ?street? to have an up-tempo montage of he musical?s hits. Yet even in the very finish, Eastwood freezes his cast in awkward poses before diminishing to black, departing them searching like curious wax figures waiting to melt. And we?ve come full circle.

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Apparent Child

Typically, comedies targeted at women are romantic comedies with plucky, pretty heroines who simply need to release as much as meet Mr. Right. Apparent Child has been categorized like a romantic comedy, but that is wrong. Really it is a self-discovery comedy, though this is a less sexy descriptor. Like Bridesmaids, the main focus is not shared from a will-they/they-most likely-will couple, but rather focuses on a lady whose find it difficult to develop is sloppy yet embarrassingly relatable. She's a amusing hot mess, performed by Jenny Slate inside a performance which should damn-well launch her to fame.

Named for that Paul Simon song that plays at its center, Apparent Child follows stand-up comedienne Donna Stern (Jenny Slate) as she bumbles through heartbreak, rebound sex, and potentially opening herself as much as love. But hers aren't the beautiful problems from the Katherine Heigls and Jennifer Anistons around the globe. Donna is really a fuck-up. Her boyfriend has left her. Her survival job includes a fast-approaching expiration date. She drinks an excessive amount of. Her depression total this really is harming her stand-up routine. But things get stickier whenever a drunken one-evening stand will get her pregnant.

Inside a rare move for any movie heroine, Donna decides with an abortion. But she needs to watch for her appointment inside a couple of weeks? on Valentine's. The appearance on her behalf face as she's faced with this particular cosmic joke pretty perfectly defines the humor of the crazy and sincere comedy. Though Donna is stalwart in her own decision, she's wondering if she should contact her hook-as much as tell him. Then fate throws him in her own path.

This brave comedy from first-time director Gillian Robespierre sets itself aside from its presumed rom-com pack from the jarring first line, a little of stand-up from Donna's act about casual vaginal excretions. This really is no pretty, glossy tale of affection in New You are able to City. Slate and Robespierre dive in to the type of gross but truthful comedy which has lengthy been the domain of males--or, in movies, guy-children. It feels at the same time revolutionary in the honesty, yet comfortable and right.

It cannot be stated enough how amazing Slate is within Apparent Child. She's designed a reputation for herself playing broad comedy roles in sketch shows like Saturday Evening Live and also the Kroll Show. But here she provides a grounded and superbly raw portrait of the vulnerable youthful lady eager to understand her falling apart existence. Yet for those its high-drama potential, Apparent Child stays in keeping with its humorous heroine, always finding pleasure and laughs that keep your tone light and frequently jubilant. And Slate includes a killer sense for comedy, offering silly faces, snappy one-inserts and stark physical comedy having a cool but indisputable charm.

Improving this compelling comedy is really a supporting cast which includes Mike Lacy as her affable love interest, Gabe Liedman as her snarky gay friend, Gaby Hoffman as her very loyal bestie, Richard Kind as her coddling, Muppet-creating father, and Polly Draper as her manipulative professor mother. Hoffman is really a standout, providing the latest in her own string of enchanting figures who're open, feminist, with no-nonsense. But each performance contributes to Apparent Child's excitement, while developing a more potent texture for that bewildering realm of its hysterical heroine.

Ultimately, Apparent Child is really a fantastically frank and incredibly funny comedy concerning the untidy areas of existence, for much better and worse. Using its unafraid approach and wonderfully problematic heroine, it's brilliant and vibrant, along with a perfect compliment to TV comedies like Inside Amy Schumer and Broad City.

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Borgman

Borgman grew to become a running joke between co-workers in the 2013 Toronto Worldwide Film Festival, based exclusively around the unusual marketing photos and posters the marketing team plastered all around the festival?s press offices and theaters. These were so strange, i was made to comment.

?What are you currently seeing at 10 a.m. tomorrow??

?Borgman.?

?Awesome. What exactly are you running to next?To

?Probably Borgman again.?

Ironically, nobody within my small circle swept up with Alex van Warmerdam?s dark and twisted story book thriller throughout the fest, but my curiosity levels were high whenever a Borgman DVD showed up in the office. And are you aware what? The movie?s just as bizarre once we had imagined.

Borgman starts by presenting us to males residing in holes within the forest. Their peaceful existence is on lent time, however, because these vagrants are now being hunted and disguarded, as animals could be hunted by afraid townsmen (along with a parish priest, obviously) inside a fable. This isn?t a remote past, though. It?s modern occasions, and Camiel Borgman (grubby Jan Bijvoet) ? rooted from his terrestrial existence ? heads to some familiar suburban place for shelter. He approaches the house of a nurse, Marina (Hadewych Minis), who pretends before her husband to not know this grungy stranger. Yet, they're connected with a mysterious past, which Borgman carefully unpacks with persistence along with a effective taste for gallows humor. (The physiques within the lake, impossibly, really are a hoot.)

Who's this stranger? So how exactly does Marina know Borgman? Why is she apparently indebted for this filthy oddity? The man?s a gifted storyteller, spinning yarns to entertain Marina?s youthful children (despite the fact that he's guaranteed to avoid sight from her distrusting and abusive spouse). Is he weaving an enormous yarn that in some way has drawn the made of woll over Marina?s eyes?

The precise character from the threat in Borgman reels us in and keeps us invested. ?There is one thing that surrounds us,? Marina states to her husband, the worry of a realistic look at her unique circumstances playing across Minis? face. ?Something that's outdoors us, but slips in occasionally. A warmth. A enjoyable warmth that intoxicates, but additionally atmosphere.?

This statement, too, summarizes Borgman, a noticeably different cocktail of violence, uncertainty, hallucinatory mysticism and possible criminal activity. Best of luck finding stability as you're watching Borgman. The video masters the capability to stay spinning, on the heels for virtually the whole run. As Borgman, the smoothness, burrows themself much deeper in to the lives of Marina and her family ? a procedure that keeps adding new, peculiar faces to his covering plan ? we buckle set for the ride and wait for satisfying conclusion (long lasting an average body count and wondering how these games will have out). Can someone just let me know why the hell Borgman strips naked and sits in Marina?s mattress while she sleeps? It?s beginning to freak me out.

Borgman is all about as European because they come, and that i imply that like a sincere compliment. Very-obvious character motivations aren?t needed, as van Warmerdam places enough belief in the audience that they'll have the persistence to ride out his vague story until an answer comes up. You are able to question concerning the scars being worn by different figures, however their relevance won?t be reveled until van Warmerdam is nice and prepared. The director?s visual palette is dull, however the figures are colorful enough. Borgman burrows under our skins when you are different. Ironically, the truth that it?s so different might scare the majority of its target market away.

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